When I heard that The
Americans had been passed over for Emmy nominations in major categories, I
flew into a red Stalinist rage. There are spoilers ahead for people who haven’t
seen the show. If you haven’t, binge watch it. It’s amazing and fun as hell.
The premise of the show is irresistible to me: Married
Soviet spies posing as American citizens in the early ‘80s. The show centers on
husband and wife Elizabeth Jennings (Keri Russell) and Phillip Jennings (Matthew
Rhys), who struggle with problems in their marriage and whether they are
becoming seduced by the American lifestyle. There are all sorts of fun plays on
Cold War history as we know more than the characters. After President Reagan
gets shot, Elizabeth fears that there will be a coup, being so used to USSR
instability that she cannot comprehend an orderly transition of power. The
spies ponder whether the Star Wars missile defense program is a ploy to get the
Soviet Union to spend itself into bankruptcy in a bid to keep up with the US,
which we know to be true in hindsight.
Oh, and the spies also get to disguise themselves in the
most fetching wigs and fashions of 1981.
So after the Emmy nominations, I was as enraged as Russell’s
character in the first season’s best scene. After spy handler Claudia (Margo
Martindale) takes Elizabeth hostage and plays mind games with her as a loyalty
test, Elizabeth beats the living hell out of Claudia in a blind rage. Elizabeth
tells Claudia she has a message for the KGB: “Show them your face!” she screams
as the bloodied woman. “That’s my message to them!” It’s an electrifying scene;
the kind that makes you jump out of your chair.
Russell, Rhys and Martindale give superb performances. Also
great is Noah Emmerich as the FBI agent Stan, who is placid on the surface but
holding back a great deal of anger and sadness at the unspecified trauma that
happened during his time infiltrating the KKK. I’m also liking Nina (Annet
Mahendru), a woman who works for the Soviet Embassy, who becomes a double agent
for Stan but rediscovers her patriotism and betrays him.
Gregory was such a great character and it’s a shame they
killed him. There was nobody else like him on TV: An African-American civil
rights activist recruited into the Communist Party. His death scene was really
well done but he had so much potential. They should have shipped him to Moscow
and kept him as a spoiler just in case events warranted.
The spy stuff on The
Americans is thrilling but the show is also powerful when it examines the
tension and tough decisions in marriage. In a gut wrenching scene, the Jenningses
need to decide who will go on the more risky spy mission, based on who will be
better off with the kids if the other parent gets killed. There is also the
elephant in the room: What will happen when the kids discover their parents are
Russian spies whose marriage was a sham and that their very births were part of
a long con to convince people their parents were a normal couple?
The way the first season ended was perfect: A gravely
injured Elizabeth tells her estranged husband to “come home” in Russian. Given
that the spies are told never to speak their native language, it’s a stunning
moment. It’s also an effective bookend to the moment in the pilot when
Elizabeth tells Phillip her original Russian name for the first time.
Watch The Americans. Do
it now.