It just got real.
The cat and mouse game begins to come to an end as Hank
catches on to Walt’s meth business. I was expecting that cathartic punch to
happen a few episodes later but it makes sense that Hank would be too furious
to hold back. Those endless seconds when the garage door was closing were as
tense and electric as anything on Breaking
Bad.
In his rage, Hank brought up some plot points I forgot
about: Walt was the one who placed the fake call saying Marie was in the
hospital, ultimately leading to a world of hurt for Hank. There are all sorts
of betrayals coming to light now — betrayals that may seem small in the grand
scheme of the last few seasons but that hit much harder when family is
involved.
Walt tries to talk his way out of it, of course, immediately
bringing up his recrudesced cancer. When that doesn’t work, he threatens Hank
that he better “tread lightly.” I will be fascinated to see where this goes now
that Walt is finally, blatantly turning on his family.
As choked with rage as Hank was, I think when Jesse finally
finds out about Walt’s betrayals, the explosion will be much bigger. “Blood
Money” saw Jesse mourning the loss of Mike, who was becoming his mentor, and
realizing that Walt, to whom he looked up even if he couldn’t admit it, was
responsible for his death.
I feel like Walt is a full-on sociopath at this point, given
the chillingly casual way he lies to Jesse about Mike’s fate. “I need you to
believe me,” he says, a statement loaded with meaning. Walt not only needs his
erstwhile partner to believe in him to escape any legal consequences, he needs
to delude himself that he has not yet been completely corrupted. Jesse and Walt
are a study in contrast at this point. Jesse is guilty enough to give away $2.5
million to the family of Drew Sharp but Walt describes the kid’s death and
disposal of his body as something that is merely regrettable, in the most
passive and clinical language he can muster.
Forget the past, Walt says. He should know better. He should
know this has all been a series of chemical reactions that nobody can stop and
there will be consequences.
Meanwhile, in the near future, the White home has been
boarded up and kids are skateboarding in the empty pool. It was a tantalizing
flash forward and I found myself scanning the scene for any clues to fill in
the gaps. I am guessing, from the “Heisenberg” spray-painted on the wall, that
Walt got the infamy he desired in the form of kids idolizing him as a folk
hero.
Whatever happens, it’s clear that the pesky ricin cigarette
will play a part in the ending. The question is: Where do the flash forwards
fit in among the last seven episodes? What gets the White family to that point
and where do they go after that?
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