Bert Cooper dies with a whimper and then with a bang. Peggy
pitches Burger Chef with a bang. The Draper marriage ends with a whimper. Sterling
Cooper and Partners ends with a whimper. The partners cash in with a bang. Man
lands on the moon. Mad Men hits pause
until 2015.
Cooper’s death was poignant, coming as he was sitting on the
couch watching the moon landing and saying “Bravo” to Neil Armstrong’s famous
words. It reminded me of the moment in season 4 when his former lover Ida
Blankenship died and he eulogized her as an astronaut. The show handled the
whole scene gracefully, with Roger removing his friend’s name from the door as
the wordless indication of death. But the moment doesn’t last and immediately,
Jim Cutler swoops in and plots divvying up Bert’s clients. As Roger notes, the
man hadn’t even been dead an hour.
In a vision of Don’s, Cooper gets to eulogize himself, tap
dancing in his stocking feet to a little musical number called “The Best Things
in Life Are Free.” I’m not sure what to make of that. It caused Don to show as
much emotion as he ever has on the show. Maybe it was simply mourning his
friend or maybe Bert’s lyric that “the moon is meant for everyone/the best
things in life are free” pricked at Don’s conscience and was a counterpoint to the
partners’ money-grubbing attitude, a reminder that they may have just cashed in
on the agency’s sale to McCann Erickson but in the end, it won’t mean much.
I will miss Robert Morse as Bert Cooper. He was nothing if
not incisive, cutting through the chatter with some pointed wisdom. He was
always good for showing up briefly and dropping a few words of Zen here and
there. His death leaves the biggest void Mad
Men has ever had. Who will anchor the agency as it moves into its bold new
era and leaves the past behind?
There were a few relatively smaller moments in “Waterloo”
that may impact the show in the long run. Harry Crane again gets the short end
of the stick, getting a partnership but not in time to cash in on the agency’s
sale. Sally kisses the younger son of her mother’s friend but I think she has
an eye on the older son, given the way she reverses her position and echoes his
belief that the moon landing cost too much money. Her unconscious imitation of
Betty’s smoking stance was the clearest indication yet that she is becoming her
mother. Megan ends her marriage with a pregnant pause and a subtle, gentle
invocation “Don.” It was clear the bond between them had withered but I liked
how the official end of the marriage was almost wordless and more implied than
anything.
Peggy seems to have surpassed or at least equaled Don’s
pitching abilities. She was magnificent at the Burger Chef meeting, drawing on
lessons from her own life (the heartbreaking goodbye to Julio) and world events
(the moon landing) to sell a product. She noted that so many people had
connected by watching the first men on the moon and it was a connection they were
starving for and she’s absolutely right.
Back after Kennedy died, Don noted that nobody else could
see that something fundamental about the country had changed but Peggy could see
it and they needed her vision. The successful pitch to Burger Chef, somehow tying
in fast food with the communal events of July 1969, was Peggy coming to
fruition.
The stage is set for the end.
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