TV shows I liked this
year but just don’t have anything to say about: The Patient, She-Hulk: Attorney at Law, Derry
Girls, Moon Knight, Obi-Wan Kenobi, Russian Doll, Grace and Frankie,
Letterkenny, What We Do in the Shadows, Umbrella Academy, Shoresy, Upload, The
Boys, Dead to Me.
13. House of the
Dragon. … I mean, it was OK. I
appreciate that establishing so much up front and jumping through time is
probably difficult to do conceptually. I thought it got better at the end and
the one nice little touch I liked was Alicent protecting her son from the
roaring dragon, and Rhaenys choosing to spare the royal court. I probably
shouldn’t judge a show on what it’s not but I can’t help seeing how much Game
of Thrones had that House of the Dragon is missing. They don’t yet
have any characters who are as enormously watchable as, for example, Cersei.
They also don’t yet have the scope of the former show—right now we’re only
seeing the Targaryens, the Velaryons and the Hightowers, and I miss the
multiple houses and characters of Game of Thrones. It also misses the
humor of the previous series. But I’m down for seeing how this evolves.
12. The Crown. There was a noticeable dip in quality this
season. Imelda Staunton just didn’t do it for me as Queen Elizabeth II (Claire
Foy and Olivia Colman were both tough acts to follow), although I did like
Jonathan Pryce as Prince Philip and Elizabeth Debicki, uncanny as Princess
Diana. This was probably the most soap opera season, so maybe it demanded some
soap opera–level writing, but some of it was ridiculous. Did Diana really tell
randos about the state of her marriage? Did John Major really consider all the royal
divorces happening in 1992 and ominously say how it was all about to come
crashing down? I had mixed opinions on some of the more standalone episodes. I
really did not need a whole episode on the Al Fayeds and certainly didn’t need
to spend any more time with the Nazi sympathizers in the House of Windsor.
However, I did enjoy the episode and history lesson about the Romanovs. Still,
this was mostly fun and gossipy.
11. Kevin Can F*ck
Himself. It was a pretty
clear-eyed way to take a look at these characters and end this short series.
The final reveal of what Kevin is like in the non-sitcom world was chilling and
showed him as abusive without being over the top. Having Erinn Hayes, who was
unceremoniously kicked off Kevin Can Wait—the inspiration for Kevin
Can F*ck Himself—was deliciously petty. The pleasant surprise was Alex
Bonifer as Neil. I was not expecting to be moved so much by his struggle with
alcoholism and trying to break free from Kevin’s abusive influence.
10. Ms. Marvel. I don’t know much about the Ms. Marvel of the
comics (the new one, not Carol Danvers) but this was a joy to watch, enlivened
by a quirky animation style. I really appreciated the deeper look into the
Pakistani Muslim community. You don’t often see things like the history of the
Partition or a Muslim wedding on TV, and I was grateful that I could.
9. Stranger Things. A little bloated—hey, Netflix, those of us with
kids want episodes under two hours to watch on a school night—but I got caught
up in the epic of it all.
8. The Dropout. Amanda Seyfried got a well-deserved Emmy playing
the Theranos fraudster, and deeply odd person, Elizabeth Holmes. I knew the
broad strokes of this scandal and I was fascinated to learn the whole sordid
truth.
7. The January 6
Committee Hearings. In addition
to being tremendously important for our democracy, the House committee
presented the insurrection attempt as compelling television. The clips from
that day made me relive the same sick anger I felt when I watched it live. I
was riveted by the testimony, particularly the shocking bits I learned about
how Trump knew the crowd was armed but didn’t want to subject them to metal
detectors because “they weren’t there to hurt (him).” Like many dark TV shows,
there was a little levity, like the clip of Sen. Hawley showing an approving
fist at the seditionists before running away from them like a little bitch. I
take this very seriously, so I hope I don’t sound shallow when I say this was
great TV.
6. Ozark. We binged this whole series this year, and I mostly
loved it, but I’m still not sure how I feel about the finale. I had wanted
Marty and Wendy to get a little more comeuppance, or at least have some
self-awareness that as much as they preach to their kids that they only want to
protect them, their parents are the ones who put them in danger in the first
place. It was funny to see how full of shit Wendy was for four seasons of
saying once they had enough money, they could focus on the issues she really
cared about, but she never once did anything about those issues or even
articulated them—like, you could have just cared about your causes anyway,
without the drug money. Ozark did suffer in losing some compelling
characters along the way, like Helen and Darlene. Darlene was a moral
catastrophe but she did have a point about the how the land and its beauty were
more precious than any development on it, and I missed that perspective. I was
also hoping Ruth would get a happier ending, but she never did see that pool
get built. Julia Garner burned through the TV in every scene she was in, and
she earned every Emmy she got. She’s a hell of an actress.
5. White Lotus:
Sicily. Tanya lived an operatic
life and it was fitting that she died after an operatic shootout, and also
fitting that her actual death was the result of a pratfall. As great as
Jennifer Coolidge was in this role, it would have gotten old if she’d come back
again. As blatant a show as White Lotus is, I was struck by how
elliptical some of it was: we’ll never really know if Aubrey Plaza (love her)
wasn’t telling the entire truth about her encounter with Cameron, or what
happened between Daphne and Ethan on that island. Meghann Fahy gave my favorite
performance of the show. I loved the delicious little exchange when she
“accidentally” showed Harper the picture of her kids with a little “Whoopsie,”
implying that the mistake wasn’t just that she showed the wrong photo, but that
the trainer was her kids’ father. I also loved the emotions that played on her
face when Ethan told her Harper and Cameron hooked up. She was sad to get
confirmation that her husband betrayed her and disappointed that the woman she
tried to befriend also betrayed her. What a powerfully subtle, deceptively
complex performance.
4. Abbott Elementary.
Quinta Brunson is a TV genius.
She was able to shepherd Abbott Elementary—fully formed, with a clear
vision—to air, catching lightning in a bottle. The show is full of
unforgettable characters, especially self-involved principal Ava, and the wise
Barbara. Brunson also nails the show’s Philadelphia incidentals, like the local
veneration of Jim Gardner and the way people light up when Gritty comes to an
event. The best part of Abbott Elementary is the show’s hopeful tone—the
kids and teachers may struggle and not always have what they need to succeed,
but they try their best and never, ever give up. You get the sense that these
teachers go home every day, exhausted but happy how they guided their students
that day.
3. Andor. This was the best Star Wars TV show by a
mile, and I won’t argue with anybody who says it was the best thing in that
universe since the original trilogy. I’m not even a big Star Wars lover,
but I was probably primed for this since I did love Rogue One. Maybe not
being a huge fan helped my enjoyment, since this was the most terran of all the
Star Wars stories. Andor really humanized the struggle against
the Empire, and at times, this seemed like a story set on Earth with weird
technology, making it much more universal and mature. The cast is top-notch,
especially Stellan Skarsgard showing the price of living a life of rebellion,
and Denise Gough and Anton Lesser, who were perfectly cast as villains in the
Imperial Security Bureau. The standout was Fiona Shaw as Maarva Andor, and the
incendiary holographic speech she gave at her funeral: “We’ve been sleeping …
If I could do it again, I’d wake up early and fight the bastards from the
start. Fight the Empire!” Wow. This got at the heart of the Star Wars
mythos—the fight against fascism—and that never goes out of style.
2. Severance. Would you compartmentalize your brain so you
could be more efficient at work and avoid the crushing grief of losing a
spouse? Severance was a fascinating exploration of people who while at
work have no memory of their personal lives, and vice versa. The production
design was spectacular, with computers and office supplies that looked vaguely
retro and vaguely threatening. The little world Severance built in the Lumon
company—like the “music dance experience” that the employees got as a reward or
the Break Room (that’s great) where employees are interrogated after
straying—just fascinated me. It was thought-provoking and I can’t wait to find
out more about what Lumon is actually doing moving those numbers around and how
Helly R will feel when she realizes she’s the daughter of the company’s worshipped
founder.
1. Better Call Saul. It didn’t quite reach the rarefied heights of Breaking
Bad, but Better Call Saul is up there, and the last season was a
satisfying, formally daring end to the story of Jimmy McGill, the man who
became Saul Goodman. The end took them from the present day of the series, with
Lalo murdering Howard in front of Jimmy and Kim, and the two parting after
realizing they loved each other but were no good for each other. The Breaking
Bad years, other than some pointed cameos from Walt and Jessie, are mostly
a mid-season ellipsis until the last few black-and-white episodes focus on
Saul’s downfall after one last, sloppy scheme.
As much as we all wanted
to see how Saul finally ended up, the real concern for fans over the years was
what happened to Kim Wexler. Rhea Seehorn won everyone over with an astonishing
performance, and this year, the crowning moment for her was that tearful
breakdown on the airport shuttle, when she finally feels the weight of what she
did to Howard and the relief of telling the DA. Better Call Saul was at
its heart a love story of two people who had a lot of fun together but were
terrible for each other, and that was the best TV I saw this year.