After the seismic season
premier, “Tchaikovsky” seems like more of a table-setting episode, moving the
pieces into place for the end.
This episode itself ends
with the unforgettable image of Elizabeth’s bloody, brain-covered face (for a
second I thought General Rennhull shot her eye out as he shot himself) warning
her understandably freaked-out daughter away. She is still trying to protect
Paige, lying to her about the nature of her spy work in the bedroom. Elizabeth
fails to get the lithium-based radiation detector and the suicide of a general
in the woods will not go unremarked upon by the authorities.
If there was a theme this
week, it was unforeseen complications. The formerly treasonous general, not
wanting to betray his country or have his past exposed, shoots himself and
ruins the Center’s plans. Sofia kicks Gennadi out of the house and may be
having an affair (I’m still a little slow on what these two are doing and what
he was having X-rayed and photographed in the bathroom stall). Erica wants to
die but Elizabeth, in what must be a first for her career, has to keep the
woman alive until the summit. If she dies, Elizabeth leaves the house and they
would have to send in another agent in another capacity. Erica wants the fake
visiting nurse to start drawing, but the art lessons distract from what’s
really important for Sovietbot: Taking pictures of documents. I don’t know who
actually made all that art in reality but I love it. Elizabeth dismisses the
art as decadent but it shows her things she doesn’t want to see.
Death imagery was heavy for
Elizabeth this week. There was the bloody face at the end. There was Elizabeth
lying on the couch at Claudia’s, in what could either be a therapy session or a
deathbed. She asks Claudia to finish Paige’s training, something heavily
reminiscent of a “take care of her” speech just before the end. Elizabeth is a
dead woman walking, a ghost, looking like hell (at least, as much as Keri
Russell can look like hell) fading into the background as we see a (very nice) blurry
shot of her cigarette lighting up.
The really unsettling
element of this episode was the backyard conversation between Philip and
Elizabeth. When he asks if she can talk about what’s going on, does he really
care or is he working her on Oleg’s orders? Is it a little of both? After all
the trust those two finally built up, now they have to wear masks with each
other as they do with so many other people.
Mail Robot!
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