After six
seasons of being a Sovietbot, Elizabeth Jennings begins to crack. She is
betrayed at home and at work. First Philip admits that he spied on her on
behalf of Oleg and the USSR moderates. The couple has been through betrayals
before but this is the worst because it undermines not only a marriage but
undermines Elizabeth’s life’s work. He tells her he wants her to think for
herself, not just doing what the Center tells her, and be a human being. She
balks but this plants a seed, and it plays across Keri Russell’s face for the entire
hour.
Then Claudia
admits that Elizabeth’s motherland has been lying to her. The Centre wants to
kill and then frame Nesterenko, a moderate Soviet influence, so the hardliners
can depose Gorbachev. Elizabeth knows this man is not a traitor and refuses to
kill him, unwilling to set in motion something that, in the show, would have
changed world history.
The old
Elizabeth would have killed Jackson, her young informant at the State
Department, after he discovers the bug she planted. Instead, she hesitates and
lets him live in an act of mercy. (There was a mini-theme in this show about
the person you don’t notice who notices more than you think. Jackson seems like
a patsy but finds the bug. Stavos has known for years that something was going
on in the back room of the travel agency, but never called the police.)
In a brutal
act of mercy, Elizabeth euthanizes Erica. It’s a dark, sick joke that the
artist chokes on her paint brush, throwing up bile like green paint, but there
is some kindness in the way the disguised nurse kisses the sick woman on the
forehead. It’s also a sacrifice since it ends Elizabeth’s chance at bugging
Erica’s husband.
What does
Elizabeth see in the painting she inherits? It’s a woman in pain and doubt (and
she reminds me of Oleg’s mother). I think she sees that Erica is gone but will
pass on something that will last forever. What will Elizabeth pass on? We know
her work will be for nothing in a few years. She hesitates, but in the end
burns the painting, taking no chances (what a gorgeous image of smoke drifting
over the smoky face).
It's a very Americans-type irony that Elizabeth
would rebel against the Soviet Union just a little too late, after Stan is
finally onto her. After last week’s hushed suspicion, they pulled back a little
this week, but there was time for Stan to pull on an old thread—Gregory—visiting
one of the man’s friends at a Roy Rogers. I’m assuming this was the mysterious
Roy Rogers in Franconia from a few seasons back? The man tells her Gregory’s
girlfriend had hair like a Vidal Sassoon ad and smoked like a chimney.
With two
episodes left, there are a few threads left dangling. One, Stan is very close
to finally understanding who his neighbors are. Two, Elizabeth is going to meet
with Oleg and place herself in danger. Three, Philip is going to meet with
Father Andrei and place himself in danger. Four, is Renee actually a spy or
illegal or what? She’s finally landed that desk job at the FBI. I’m still not
sure how this will all end.
No comments:
Post a Comment