Oh God, we watched the worst, most boring movie the other
weekend: Under the Skin. It got good
reviews but a lot of viewers sounded divided on it and I was firmly in the camp
that the movie was no good. It starred Scarlett Johansson as an alien who drove
around in a van picking up men, bringing them home and killing them, possibly
as some sort of fuel. (You will thank me for offering spoilers because you do
not want to watch this movie anyway.)
It was one of those movies that had no script and was just
improvisation and I don’t care for that. Write some dialogue. Johansson was
playing a character with no personality (by design) and I also don’t care for
that. If I want to watch someone display zero emotion, I’ll stare at a doll’s
empty eyes for two hours.
Some of the visuals were striking but the boredom was
crushing. I kept falling asleep and when I woke up, I was disappointed that the
movie was still on.
The problem with this movie was that it was all Big Themes
and no plot or characterization. Ideally, I’d like both in a movie. Yeah, I got
the themes in this movie. From the opening credits, I gathered Under the Skin was about an alien of
some sort who was adjusting to pretend to be a human. “Who are we … under the
skin?” if you will. My lack of enjoyment of this movie was not that I didn’t
get it; I just thought it was not well done.
A lot of the reviews of movies like this can be
condescending to people who don’t like them, as if you’re some kind of
Philistine who doesn’t get it. Like you only watch movies with explosions. Read
this review from IMDB with my remarks in bold:
“The film requires you to watch in a
different way than you normally watch films. (Yeah, after downing a pot of coffee.) It requires you to
experience strange and beautiful images without feeling guilty that there is no
complex plot or detailed characterization. (The
only people who should feel guilty about a lack of plot or characterization
should be the creators.) Don't get me wrong, plots and characters are good,
but they're not the be-all and end-all of everything. (Can’t we have plots, characters and
themes? Is that so much to ask?) There are different KINDS of film, and to
enjoy 'Under The Sin' (sic) you must tune your brain to a
different wavelength and succumb to the pleasure of beauty, PURE beauty, 'the
vast unknown' and an Alien perspective, unfettered by the banal conventions of
everyday films. (Is having an actress
master more than one facial expression really a banal convention?)
"Under The Skin is a (sic) absolutely unique movie experience. Those who miss out on it do so at the detriment of their own intellectual and imaginative capacities.” (If you miss this movie, the only thing that will suffer a detriment is naptime.)
"Under The Skin is a (sic) absolutely unique movie experience. Those who miss out on it do so at the detriment of their own intellectual and imaginative capacities.” (If you miss this movie, the only thing that will suffer a detriment is naptime.)
You know what — I’ve watched every episode of Mad Men twice and studied the Big Themes
there. I read every footnote of Infinite
Jest. So I can handle complicated art, is what I’m saying.
The difference is that the two examples I cited had plot and
characterization and written dialogue — you know, the things people actually
come to the theater to see. You can’t hang a movie on Big Themes and have some
woman wandering around with no expression and expect me to care.
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