Thursday, March 23, 2017

The Americans S5 E3: The Midges


If there’s a theme so far this season on The Americans, it seems to be that everyone is sliding into doubt and everything is sliding into decay.

Stan is disillusioned with the FBI and he and Aderholt are having no luck getting information from sources. Philip is starting to question why the USSR, with its vast lands, cannot produce enough grain for its people. Oleg is seeing the bare shelves at the supermarkets and the corruption that leads to it, as the employee tries to bribe the ethics officer with tangerines. Even babushka-wearing Martha is feeling the decay, unable to find an economy-size jar of peanut butter on the shel—

Wait a minute … MARTHA?!? What what what?!? I gasped so hard I almost swallowed my tongue. That was the show’s best-executed shock and nobody even died or got hurt for it. I’m guessing this cameo was just to tip us off that she’s relatively OK. I don’t know that she’d be back in any sustained role, but you never know. Still, you never know who you’re going to run into at the Moscow Piggly Wiggly.

Is there an over/under on when Tuan will flip out and do something stupid for the Motherland? His views are so extreme that even Elizabeth is taken aback, emphasizing that they actually don’t want their mission to end in mutually assured destruction. God, Alexei can’t even go bowling without bitching about the USSR. I am liking how Keri Russell and Matthew Rhys are performing the scenes with the Morozovs, hiding the fact that they understand every word the family is saying in Russian.

The irony was thick in the conversation after bowling. Philip notes how Alexei takes his family for a big meal at Bennigan’s while the Soviets starve. Elizabeth can’t believe he’d defect without warning his family, but that’s what the Jenningses might very well have done to their kids.

The whole scene in the bug lab in Oklahoma was very stressful because of the bug noises in the background, plus Philip and Elizabeth seemed more intense than usual. And just when I was thinking, “We haven’t had a murder yet this season,” the entomologist bites it, with Philip dipping him over his arm in a lethal dance move.

I loved the juxtaposition between the vastness of Oklahoma and the vastness of the Soviet Union. Notice how whenever Philip is wavering in the mission or something stressful is happening, the queen of the rodeo can always rein him in with some sex.

The humanitarian mission may be the one thing that brings Paige around to the cause. It’s no longer abstract concepts like the Stealth bomber; this is people going hungry due to the Americans tampering with the grain supply. (Notice how Elizabeth pointedly refers to the Americans as “they,” when her daughter doesn’t think of them as anything else but “us.”)

There was a great subtle thing in the scene between mother and daughter: Paige overstates the importance of her conversation with Matthew. It really was an innocent conversation with him wondering why she’s so tense but Paige told her mother like it was a ticking time bomb, and Elizabeth reacted as such. Is Paige so paranoid now that even totally innocuous developments seem like doom on the horizon?

I loved the exchange when Elizabeth told Paige that everyone in a relationship holds something back. That’s what this show does best: Runs a truth about human relationships through the prism of spywork so it becomes something much more loaded and foreboding.

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